“There aren’t any of those happy endings. You’re a recovering addict for the rest of your life, so where’s the happy ending?” asks Marty, one of the subjects in Toronto filmmaker Hugh Gibson’s The Stairs. The documentary, which was shot over five years, provides an intimate look at three public-health workers in Toronto who have experienced and continue to experience the problems they help others with.
Gibson is successful in illuminating the constant struggles of a user and the lasting impact drugs have on one’s life, though the film does drag at times and can abruptly shift from subject to subject, disrupting the narrative flow. But these flaws are easily overlooked during the film’s most gripping scenes: as Roxanne, a former sex-trade worker, describes being held captive for days during a “bad date,” or Marty discusses being shot because of a dispute over crack.Report Typo/Error
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