Go to the Globe and Mail homepage

Jump to main navigationJump to main content

Ghosts of Violence (Aleksandr Onyshchenko)
Ghosts of Violence (Aleksandr Onyshchenko)

YEAR IN REVIEW

The ups and downs of the 2012 dance world Add to ...

Exploring the very essence of what makes us human, writes Paula Citron, the best dance of 2012 plumbed even as it soared.

BEST BALLET WITH A CONSCIENCE

Ghosts of Violence

Atlantic Ballet Theatre of Canada

May 24-25

Bluma Appel Theatre, Toronto

Moncton-based Atlantic Ballet Theatre has been crisscrossing the country with this poignant work. Ghosts of Violence is choreographer Igor Dobrovolskiy’s attempt to give a voice to women who suffer death at the hands of a significant other. The glory of the ballet are four duets that detail woman as victim, each with its own striking physical images and dangerous partnering. Props – a chair, a table – become symbols of oppression. The violent men are characterized through clenched fists, angular arms and stamping feet. The women are positioned in awkward and difficult lifts. With strong theatrical values, expressive choreography and committed dancers, Ghosts of Violence is art reaching out to the community, trying to make a difference.

More Related to this Story

BEST SITE-SPECIFIC WORK

Porch View Dances

Kaeja d’Dance

July 19-22

The streets of Seaton Village, Toronto

Choreographer Karen Kaeja linked five choreographers with volunteer families in her downtown Toronto neighbourhood. These original works were then performed on porches and front lawns. Choreographer Maxine Heppner’s female solo beautifully expressed the interior life of a woman. Michael Caldwell’s hilarious boogie for a couple captured the joy of their relationship. Nova Bhattacharya’s sculptured, rhythmic work for two women and four children evocatively depicted a flock of birds. Allen Kaeja’s piece was a skilfully woven interplay between a mother, her broken foot, her crutches and her son. Karen Kaeja’s choreography was a jubilant, loving romp for a mother and her three children. Porch View Dances was a poster child for site-specific dance done right.

BEST CONTEMPORARY DANCE THEATRE

Kidd Pivot

Dark Matters (2010)

Kidd Pivot

Feb. 28-Mar. 3

Bluma Appel Theatre, Toronto

The Tempest Replica (2011)

Kidd Pivot

Oct. 10 to 13

Agora de la Danse, Montreal

Vancouver choreographer Crystal Pite and her company, Kidd Pivot, hit almost every major city in the country with two very different shows, Dark Matters and The Tempest Replica. Pite is a true genius of dance. She usually begins her choreographic exploration with an intellectual investigation, but then her imagination takes off to create works that embrace the essence of existence. Her choreography is also characterized by stunning multimedia effects and striking visual optics. Dark Matters (2009) was inspired by chaos theory; at its heart is the relationship between creation and destruction. In The Tempest Replica (2011), Pite presents eight characters from Shakespeare’s play as if they were in a brilliantly conceived silent movie. Her focus is manipulation: emotional, intellectual and physical – but such simplistic descriptions don’t begin to touch on the depths of Pite’s choreographic inquiry.

In the know

Most popular videos »

Highlights

More from The Globe and Mail

Most popular