DeNiro's Game: an excerpt

Rawi Hage

Globe and Mail Update

Ten thousand bombs had landed, and I was waiting for George.

Ten thousand bombs had landed on Beirut, that crowded city, and I was lying on a blue sofa covered with white sheets to protect it from dust and dirty feet.

It is time to leave, I was thinking to myself.

My mother's radio was on. It had been on since the start of the war, a radio with Rayovac batteries that lasted ten thousand years. My mother's radio was wrapped in a cheap, green plastic cover, with holes in it, smudged with the residue of her cooking fingers and dust that penetrated its knobs, cinched against its edges. Nothing ever stopped those melancholic Fairuz songs that came out of it.

I was not escaping the war; I was running away from Fairuz, the notorious singer.

Summer and the heat had arrived; the land was burning under a close sun that cooked our flat and its roof. Down below our white window, Christian cats walked the narrow streets nonchalantly, never crossing themselves or kneeling for black-dressed priests. Cars were parked on both sides of the street, cars that climbed sidewalks, obstructed the passage of warn-out, suffocating pedestrians whose feet, tired feet, and faces, long faces, cursed and blamed America with every little step and every twitch of their miserable lives.

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