And this was a man in constant pain. Denied drinking or eating, he sucked on tiny ice chips. Where others might have beguiled themselves with thoughts of divine purpose (why me?) and dreams of an afterlife, Christopher had all of literature. Over the three days of my final visit I took a note of his subjects. Not long after he stole my Ackroyd, he was talking to me of a Slovakian novelist; whether Dreiser in his novels about finance was a guide to the current crisis; Chesterton’s Catholicism; Elizabeth Barrett Browning’s Sonnets from the Portuguese, which I had brought for him on a previous visit; Thomas Mann’s The Magic Mountain – he’d reread it for reflections on German imperial ambitions toward Turkey; and because we had started to talk about old times in Manhattan, he wanted to quote and celebrate
While I was with him, another celebration took place in far-away London, with Stephen Fry as host in the Festival Hall to reflect on the life and times of Christopher Hitchens. We helped him out of bed and into a chair and set my laptop in front of him. Alexander delved into the Internet with special passwords to get us linked to the event. He also plugged in his own portable stereo speakers. We had the sound connection well before the vision and what we heard was astounding, and for Christopher, uplifting. It was the noise of two thousand voices small-talking before the event. Then we had a view from the stage of the audience, packed into their rows.
They all looked so young. I would have guessed that nearly all of them would have opposed Christopher strongly over Iraq. But here they were, and in cinemas all over the country, turning out for him. Christopher grinned and raised a thin arm in salute. Close family and friends may be in the room with you, but dying is lonely, the confinement is total. He could see for himself that the life outside this small room had not forgotten him. For a moment, pace Larkin, it was by way of the Internet that the world stretched a hand toward him.
The next morning, at Christopher’s request, Alexander and I set up a desk for him under a window. We helped him and his pole with its feed-lines across the room, arranged pillows on his chair, adjusted the height of his laptop. Talking and dozing were all very well, but Christopher had only a few days to produce 3,000 words on Ian
Whenever people talk of Christopher’s journalism, I will always think of this moment.
Consider the mix. Chronic pain, weak as a kitten, morphine dragging him down, then the tangle of Reformation theology and politics, Chesterton’s romantic, imagined England suffused with the kind of Catholicism that mediated his brush with fascism. At intervals, his head would droop, his eyes close, then with superhuman effort he would drag himself awake to type another line. His long memory served him well, for he didn’t have the usual books on hand for this kind of thing. When it’s available, read the review. His unworldly fluency never deserted him, his commitment, was passionate, and he never deserted his trade. He was the consummate writer, the brilliant friend. In
Ian McEwan is a highly acclaimed British novelist and screenwriter. He has written 11 novels including such titles as The Cement Garden, The Comfort of Strangers, Black Dogs and Atonement (made into a film starring Keira Knightley and James McAvoy). He was nominated six times for the Man Booker Prize and won it 1998 for Amsterdam.
