2-D just fine with big-name directors
Return from the third dimension: The surprising endurance of flatness
Is Cannes still as important as it thinks it is?
Cannes’s queasily contradictory nature remains a source of fascination
For Imax, the prospects are as big as the screens
In Hollywood, 3-D is so last week. Imax has become the preferred format to give blockbusters a boost
John Carter’s a flop, but we’ve seen floppier
Studios have been razed by previous disasters, but Disney takes this one in stride
John Carter: A movie title that doesn't exactly say 'watch me!'
Disney’s quarter-billion-dollar epic seems destined for the remainder bin, thanks to an ill-advised marketing decision
The naked truth about on-screen nudity
How much skin a performer shows in any shot is carefully gauged and subject to strict guidelines
Was Brian Linehan right to want a star system in Canada?
We have our stars, but they don’t stay here
Guilding the Oscars: What those other awards tell us
The actors’, directors’ and producers’ prizes are fairly reliable indicators of what the Academy will announce in three weeks
Ah me mateys, how to keep the pirates at bay
There are better ways to get to the untapped market
How Harvey (Weinstein) got his groove back
He had fallen on tough times, but with two of his films being touted for Oscars, we’re going to be hearing a lot more about the master promoter they call ‘God’
