Lisa Ray's exoticism is her signature and her passport, writes LIAM LACEY. First it brought a career in modelling, then it landed her the lead in Deepa Mehta's new comedy
Are Shelby Lee Adams's documentary stills of rural Kentucky insightful or exploitative? SARAH MILROY talks to the photographer, who is himself tormented by contradiction
Before reality TV, there was Allan King. A retrospective and
a new book pay tribute to one of Canada's premier documentary
filmmakers, LIAM LACEY writes
Salma Hayek laboured for more than six years to bring Mexican painter and icon Frida Kahlo to the big screen. She talks to JAMES ADAMS about breaking away from bombshell roles and realizing her dream film
New York comedian Reno, takes on American patriotism and the U.S. war on terrorism in Nancy Savoca's documentary "Reno, Rebel Without a Pause" which premiers at the Toronto International Film Festival
Vanity fare JAMES ADAMS, NATIONAL ARTS CORRESPONDENT, The Globe and Mail
Stars in search of ever more hyphenated titles - actor-director-producer-god - are creating ever more films, and the results can be bad-forgettable-heinous
Michael Moore, a moviemaker best known for his commando, knocking-down-door techniques, is once again trying to break barriers with his latest work, Bowling for Columbine
Forget the film festival stars, forget the flacks, what do we really gain from watching a movie? Last Sept. 11 brought a chorus of wrong answers to that question, writes RICK GROEN
TIFF rookie Soo Lyu talks about the unique blend of anxiety and excitement she's experiencing at the festival as she waits for the world premiere of her first feature film Rub & Tug
Perspectives Canada and Wavelengths have assembled their short films series in themes, and two programmers offer some tips on how to get the most out of the short film experience
A scene from the short-film anthology 11'09'01, which will be screened at the festival.
A film oasis PIERS HANDLING, Special to The Globe and Mail
Screening a variety of viewpoints is more important than ever in a post-Sept. 11 world, writes PIERS HANDLING, the director of the Toronto International Film Festival.