Joan was drying the last dinner plate, about to go wrap Sadie's birthday presents, but her husband George took the dishtowel from her hand and replaced it with a glass of red wine. She took a sip, turned back to the expansive bay window, trying to make sure Jimmy and Sadie were not in any trouble. She hated when they swam at night. She would get flashbacks of a teenaged girl she'd worked on at the hospital who had drowned and come back to life but remained essentially braindead. The image would be of the girl's cold arm hanging off the gurney as she was wheeled down the hall at the trauma centre.
George kissed her cheek. "Come sit down, the kids are fine. Remember those nine hundred years of swimming lessons? Those ceremonies with the badges?"
"Maybe I should go check on them anyway," she said.
George gave her an affectionate squeeze. "The water is so calm right now. They're okay."
She joined him at the table, placing an open Tupperware of lemon squares between them. She looked at the wine, tilted her glass in his direction in a gesture of what's up?
Marriage is so much about embedded routines. That night they'd had grilled salmon and rice noodles, sautéed greens. The same as every Sunday night. Usually George was watching the news by now, head leaned back and mouth agape with a slow, murmuring snore. Joan glanced towards the window again, unable to stop herself from getting up and leaning over the sink on her tiptoes, pressing her forehead against the glass. All she was able to see in the moonlight was a dark blur of water beyond the edge of the hill, and the tip of the long wooden dock. George made a whirring sound and a helicopter motion with his hand, gently mocking her overprotective nature.
Joan surrendered with a laugh and sat back down. George raised his glass in a cheers, and pulled at the side of his lips before speaking. "Honey, for weeks I've been receiving these cryptic messages in my office mailbox," he said, handing her two scraps of torn loose-leaf paper, both folded in half, that he'd pulled from his blazer pocket. One read People Are Watching You, and the other Be Careful.
"Teenaged nonsense." She sipped her wine, swirled it around, and set it back on the table. She was excited to see Sadie open her presents in the morning at breakfast.
"Or so I thought, but today Dorothy told me to call a lawyer. She knows everything, working in the front office all day long, of course. She said there's a rumour you're being set up. It was all so Hollywood movie-sounding that I laughed at her. But she looked deadly serious. She wouldn't tell me anything else. Dorothy was acting strange – stranger than normal, anyway."
"She's such a nutbar, Dorothy. Set up for what? Did you believe her?"
Dorothy McKnight was the secretary, and she irritated both of them, especially at parties, always wanting to talk about conspiracy theories and how Barack Obama was a Muslim.
"So I called Bennie during my spare this afternoon – he's the eldest son of my father's lawyer. You know, they're always at our Christmas parties?"
"Isn't he a kid?" asked Joan.
"No, he's forty, if you can believe it," he said. "I called him again tonight. I'm on edge, Joan. I just wanted to tell you this. I don't know what's happening." He took another generous sip of wine.
"A practical joke? It's so strange."
George shook his head. "I really don't know." This was a phrase George – learned, stoic, opinionated – rarely used. He prided himself on knowing the things that mattered.
Sadie and Jimmy jogged up the dirt path, wet bare feet on the stones between the bramble that curled into the sloping backyard. They were breathless when they reached the plateau, pausing where a row of kale and lettuces grew, waiting to be culled on her mother's gardening day the following weekend. The rectangular in-ground pool that bordered their back deck made its usual hum of white noise. A circular hot tub, currently on the fritz, faced out onto the lake, edging out over the sharp lip of the hill. Ornate gardens sculpted carefully to appear wild surrounded the pool. Sadie leaned down and rubbed some lavender between her palms, cupping her hands around her face to inhale the warm scent on her way to the side entrance.
They snuck up the back stairs, rubbing their wet heads on the threadbare sunburst swim towels hanging from the coat hooks by the door to the basement. Jimmy traced a finger along Sadie's spine, causing her to pause, shiver, and bat his hand away before she stepped over Payton, the fat sleeping tomcat on his designated fourth-step nap space. She headed for the kitchen barefoot, in search of iced tea. The plan to sneak up to Sadie's room and finish what they had started was immediately thwarted by the unusual presence of her parents, seated at either end of the kitchen table.
The Woodbury parents were the academic sort, floating brains in denial of the body. Sadie reasoned that it was better not to talk about sex with them, to ensure that both she and her parents retained the privacy they both needed. It was less denial, she reasoned, more maturity. The same way that they all went to church on Sundays but never talked about God. Some things were meant to stay inside our own heads. When Jimmy stayed over, she was never sure if they knew or not. She did know that neither party was eager to discuss it.
When they entered the kitchen, the adults reacted with a sudden and uncharacteristic silence. Her mother's brownishgrey bob was pushed back behind her ears with the help of her glasses. Joan usually had two facial expressions – tired from work or happy to have a day off. Her face betrayed a sense of resigned incredulity. She never drank after dinner.
"What's up with you guys? You're not usually up this late."
"Nothing," Joan said, in a way that sounded the opposite. She picked up the container of lemon squares and held them out to Jimmy, who put a whole one in his mouth and grabbed a second, grinning appreciatively while he chewed.
"It's past midnight …" Sadie sing-songed expectantly. Joan stared at her daughter for a few moments before realizing what she meant.
"Oh, happy birthday, darling!" Joan said, half present.
"Yes, happy birthday, beautiful daughter," said George, standing up to give her a hug.
Sadie felt a brief moment of birthday excitement, and then the house seemed to shake with a pounding on the front door, followed by an insistent baritone call: "We're looking for George Alistair Woodbury!"
"What's going on?" Sadie said, peering through the kitchen entrance and down the hall to the foyer. Red and blue flashed through the open windows, a light show for the symphony of cicadas. She approached the door tentatively. George sat back down at the table, staring into his glass of wine.
"Sadie, don't. I'll get it," Joan said as she approached the door, peering through the peephole cautiously. She opened it slowly to find two plainclothes detectives and several uniformed officers.
"Hello, ma'am, is your husband home?"
They made it only a few feet down the front hall before spotting him through the living room, still at the kitchen table. He stood, knocking over his glass. It pooled, then slowly dripped onto the kitchen floor.
For months Joan would replay this moment, trying to decipher the look on her husband's face. Was it guilt? Confusion? Indignation? Stoicism? Acting? But nothing, not even a revolving camera of omniscience, a floating momentary opportunity to narrate, would allow anyone to truly understand the truth about George. He became a hard statue, an obstacle, a symbol.
The father and the husband, from that moment, had been transformed.
Excerpt from The Best Kind of People copyright 2016, by Zoe Whittall. Reprinted by permission of House of Anansi Press Inc., Toronto. www.houseofanansi.com
Q&A with Zoe Whittall
This excerpt introduces us to a family on the verge of a life-altering change, the Woodburys. Can you tell us a little bit more about them?
They are an old-money family in New England who live on a lake in a charmed community called Avalon Hills. The older son now lives in New York City, and the daughter is in her last year at a prep school, where her father teaches science. The mother, Joan, is a trauma nurse. She grew up on the more modest middle-class side of town, and George grew up in Woodbury Lake, named after his family, which is now inhabited by the wealthiest folks in town. Both sides of the family have lived in the community for generations. George is known both for this family's prominence and also because he once thwarted a school shooting 10 years before the book begins.
Why are the police at their door?
They come to arrest George for impropriety and attempted sexual assault of students at the school where he teaches. Imagine the most trusted and beloved guy in your town and then picture him being accused of the worst thing possible.
Since publishing your last novel, you've spent a lot of time writing screenplays; how do you think this affected the book?
I think that learning to write a scene for the screen helped me wrestle with plot in a way I hadn't done before. I'm very character-driven and I started by writing poetry, so I love beautiful sentences and interior monologue and slow pacing and a lot of my early work was almost anti-narrative. Working in TV has helped me appreciate action and brevity and suspense. Writing for TV has certainly helped me write fiction more than teaching creative writing or working in journalism, which was what I had been doing for most of my 30s. I felt like those jobs really took away from my ability to write fiction, and oddly, to my delight, writing for TV is very complementary.