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(Kevin Van Paassen)
(Kevin Van Paassen)

Summer is short... Add to ...

Tapka (from Natasha and Other Stories)

Goldfinch was flapping clotheslines, a tenement delirious with striving. 6030 Bathurst: insomniac scheming Odessa. Cedarcroft: reeking borscht in the hallways. My parents, Baltic aristocrats, took an apartment at 715 Finch fronting a ravine and across from an elementary school - one respectable block away from the Russian swarm. We lived on the fifth floor, my cousin, aunt, and uncle directly below us on the fourth. Except for the Nahumovskys, a couple in their fifties, there were no other Russians in the building. For this privilege, my parents paid twenty extra dollars a month in rent.

In March of 1980, near the end of the school year but only three weeks after our arrival in Toronto, I was enrolled in Charles H. Best elementary. Each morning, with our house key hanging from a brown shoelace around my neck, I kissed my parents goodbye and, along with my cousin Jana, tramped across the ravine - I to the first grade, she to the second. At three o'clock, bearing the germs of a new vocabulary, we tramped back home. Together, we then waited until six for our parents to return from George Brown City College, where they were taking their obligatory classes in English.

In the evenings we assembled and compiled our linguistic bounty.

Hello, havaryew?

Red, yellow, green, blue.

May I please go to the washroom?

Seventeen, eighteen, nineteen, twenny.

Joining us most nights were the Nahumovskys. They attended the same English classes and traveled with my parents on the same bus. Rita Nahumovsky was a beautician, her face spackled with makeup, and Misha Nahumovsky was a tool and die maker. They came from Minsk and didn't know a soul in Canada. With abounding enthusiasm, they incorporated themselves into our family. My parents were glad to have them. Our life was tough, we had it hard - but the Nahumovskys had it harder. They were alone, they were older, they were stupefied by the demands of language. Being essentially helpless themselves, my parents found it gratifying to help the more helpless Nahumovskys.

After dinner, as we gathered on cheap stools around our table, my mother repeated the day's lessons for the benefit of the Nahumovskys and, to a slightly lesser degree, for the benefit of my father. My mother had always been a dedicated student and she extended this dedication to George Brown City College. My father and the Nahumovskys came to rely on her detailed notes and her understanding of the curriculum. For as long as they could, they listened attentively and groped toward comprehension. When this became too frustrating, my father put on the kettle, Rita painted my mother's nails, and Misha told Soviet jokes.

In a first-grade classroom a teacher calls on her students and inquires after their nationality. "Sasha," she says. Sasha says, "Russian." "Very good," says the teacher. "Arnan," she says. Arnan says, "Armenian." "Very good," says the teacher. "Lubka," she says. Lubka says, "Ukrainian." "Very good," says the teacher. And then she asks Dima. Dima says, "Jewish." "What a shame," says the teacher, "so young and already a Jew."

* * *

The Nahumovskys had no children, only a white Lhasa-apso named Tapka. The dog had lived with them for years before they emigrated and then traveled with them from Minsk to Vienna, from Vienna to Rome, and from Rome to Toronto. During our first month in the building, Tapka was in quarantine and I saw her only in photographs. Rita had dedicated an entire album to the dog, and to dampen the pangs of separation, she consulted the album daily. There were shots of Tapka in the Nahumovskys' old Minsk apartment, seated on the cushions of faux Louis XIV furniture; there was Tapka on the steps of a famous Viennese palace; Tapka at the Vatican; in front of the Coliseum; at the Sistine Chapel; and under the Leaning Tower of Pisa. My mother - despite having grown up with goats and chickens in her yard - didn't like animals and found it impossible to feign interest in Rita's dog. Shown a picture of Tapka, my mother wrinkled her nose and said "foo." My father also couldn't be bothered. With no English, no money, no job, and only a murky conception of what the future held, he wasn't equipped to admire Tapka on the Italian Riviera. Only I cared. Through the photographs I became attached to Tapka and projected upon her the ideal traits of the dog I did not have. Like Rita, I counted the days until Tapka's liberation.

The day Tapka was to be released from quarantine Rita prepared an elaborate dinner. My family was invited to celebrate the dog's arrival. While Rita cooked, Misha was banished from their apartment. For distraction, he seated himself at our table with a deck of cards. As my mother reviewed sentence construction, Misha played hand after hand of Durak with me.

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