The Globe and Mail

Dave McGinn

Review: A Ghost Story is ingrained with nostalgia, loss and sadness

Brad Wheeler

Review: The Black Prince is pedantic and over-dramatic

Julia Cooper

Review: Girls Trip shimmers in the barren landscape of summer movies

BRAD WHEELER

South Asian Film Festival celebrates ‘courageous films’

DAVE MCGINN

A Ghost Story director David Lowery on finding hope in fatalism

BRAD WHEELER

Dawson City: Frozen Time unearths an unintended time capsule

Kate Taylor

Review: Dunkirk gives a visceral sense of the danger and desperation of war

BARRY HERTZ

Review: Valerian and the City of a Thousand Planets has the best and worst of Luc Besson

JUSTINE SMITH

Director Luc Besson goes back to the future with Valerian

BARRY HERTZ

Mark Rylance learning how to deal with fame as Dunkirk hits screens

BRAD WHEELER

Just For Laughs honours Jim Carrey with Generation Award

JAKE COYLE

Filmmaker George A. Romero was the father of the zombie movie

John Doyle

John Doyle: Netflix’s To the Bone is simply good fiction about anorexia

HOLLY RAMER

Filmmaker Ken Burns hopes Vietnam documentary will help heal the U.S.

Daisy Nguyen

Oscar-winning actor Martin Landau dies at 89

Barry Hertz

The zombie film is George A. Romero’s gift to, and curse on, Hollywood

JAKE COYLE

Can big-screen comedies survive the superhero movie era?

JAMES ADAMS

Review: The Death of Louis XIV is contemplative cinema at its best

Barry Hertz

Review: Wild comic talents sell obvious premise in The Little Hours

Brad Wheeler

Review: The Women’s Balcony is an absorbing take on sexism and faith

BRAD WHEELER

Toronto-made ‘Apprehension Engine’ scores the stuff of nightmares

Barry Hertz

Review: Mermaids takes a deep dive into a little-known subculture

GAYLE MACDONALD

Review: Past Life is a tale of reconciliation marred by clichés

GAYLE MACDONALD

Documentary ABU lays bare the life of Canadian filmmaker Arshad Khan

BARRY HERTZ

What to expect from TIFF’s lineup this year

RICHARD SANDOMIR

Model and actress Elsa Martinelli was ‘the most stylized woman in the world’

Barry Hertz

Review: War for the Planet of the Apes is a miraculous feat of filmmaking

BRAD WHEELER

Review: Call of the Forest: The Forgotten Wisdom of Trees is a folksy and educational documentary

DAVE McGINN

Review: Integral Man is a loving portrait of Jim Stewart and his home

BRAD WHEELER

Review: The Journey a dialogue-heavy drama of Irish peace process

Brad Wheeler

Review: Almost-watchable French melodrama From the Land of the Moon spoiled by ridiculous reveal

BRAD WHEELER

Timothy Spall responds to criticism of The Journey’s take on the Troubles

BARRY HERTZ

Review: The only scary thing about Blood Hunters is the performances

ZOSIA BIELSKI

Review: Tickling Giants shows the dangerously thin line between democracy and tyranny

BRAD WHEELER

Review: 13 Minutes artfully tells story of would-be Hitler assassin

BARRY HERTZ

Fast and Furious writer Chris Morgan on steering a blockbuster franchise

BARRY HERTZ

So many Spider-Men, so little time: Ranking 15 years of Spider-Man films

BARRY HERTZ

Review: Spider-Man: Homecoming is a fun, self-aware break from the genre

The Governor General's Performing Arts Awards Gala

Julia Cooper

Review: The Beguiled is Sofia Coppola’s bloodiest, most visceral film to date

Brad Wheeler

Review: Nowhere to Hide is an immersive look at violence in Iraq

BARRY HERTZ

Review: The Big Sick is a refreshing and remarkable achievement

Kate Taylor

Review: Despicable Me 3 finds that two Grus aren’t better than one

MATTHEW HAAG

Swedish actor Michael Nyqvist played menacing villains in Hollywood thrillers

John Doyle

John Doyle: Gypsy is a good and glossy Netflix near-miss thriller

BARRY HERTZ

The Big Sick puts a real-life relationship scrapbook on the big screen

Kate Taylor

Cate Blanchett transforms for Julian Rosefeldt’s avant-garde Manifesto

Lindsey Bahr

John Wick, Girl With the Dragon Tattoo star Michael Nyqvist dies at 56

Barry Hertz

Review: In the Name of All Canadians is both engaging and difficult to watch

Barry Hertz

Review: Edgar Wright’s Baby Driver bleeds cool in every way

RUSSELL SMITH

Russell Smith: Feverish reaction to Wonder Woman is art criticism leaving the art behind

MARSHA LEDERMAN

On B.C.’s Haida Gwaii, history is being made with a film in a language very few people can speak

BRAD WHEELER

Director Edgar Wright’s jukebox vs. the world

KATE TAYLOR

Errol Morris captures the larger-than-life photography of Elsa Dorfman

JOHANNA SCHNELLER

In Sam Elliott’s slow-burning career, his golden years have been his hottest

Dave McGinn

Review: 47 Meters Down tries for tension but sinks to the depths

IAN BAILEY

Already a Hollywood shooting hotspot, Vancouver has quietly become a VFX powerhouse

Johanna Schneller

Review: A few touching scenes can’t rescue The Hero

Barry Hertz

Review: The Colossal Failure of the Modern Relationship is a fine-enough romance

Kate Taylor

Review: The B-Side: Elsa Dorfman’s Portrait Photography is stealthily engaging