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American Underdog fumbles its faith-based filmmaking
Denzel Washington’s melodramatic A Journal for Jordan is out of step with reality
The Matrix Resurrections is the whoa-level blockbuster 2021 deserves
No country for old kings: Joel Coen’s The Tragedy of Macbeth is bold, bloody and resolute
Sing 2 is perfectly entertaining kiddie karaoke
Aaron Sorkin’s Being the Ricardos has got some ’splaining to do
Paul Thomas Anderson’s beautiful, hilarious, complicated Licorice Pizza is the best film of 2021
Writing with Fire shows women journalists in India working in the face of patriarchy, caste prejudice
Maggie Gyllenhaal’s tremendous Netflix drama The Lost Daughter isn’t interested in judgment, only truth
The King’s Man offers Ralph Fiennes his own kick-butt Liam Neeson moment, but also a big ol’ migraine
Spider-Man: No Way Home is dastardly corporate synergy-in-motion, but also ridiculously fun
Porn-star drama Red Rocket finds filthy strength in Simon Rex and NSYNC
Flee offers poignant animated tour through Afghani refugee experience
Guillermo del Toro’s Nightmare Alley is a masterpiece of dark desires
In eccentric horror film Agnes, the devil is in the details
Netflix’s Don’t Look Up is too busy shouting to be funny, but thank goodness for Jonah Hill
Steven Spielberg’s West Side Story is vivid, sweeping, beautiful filmmaking that shows the power of Hollywood
The Souvenir: Part II is a most unlikely sequel – and absolutely perfect
‘Species dysphoria’ drama Wolf is a wild, rabid mess
Netflix’s The Hand of God is solipsistic in a way only the Golden Globes could love
Blessed be Paul Verhoeven, patron saint of bedevilling, outrageous nun romance Benedetta
Netflix’s The Unforgivable puts Sandra Bullock through the emotional wringer
Fascinating and unnerving drama The Humans proves that no one can nail you like your family
Mamma Mia! Ridley Scott’s House of Gucci is half deliciously cheesy riot, half high-priced snooze
Explicit and absurd, Bad Luck Banging or Loony Porn is the wildest, angriest film of the year
TVO documentary Magic Shadows, Elwy Yost: A Life in Movies is essential viewing for Canadian film fans
Excellent Joaquin Phoenix elevates C’mon C’mon, a family drama that only CBC Radio could truly love
Julia Child documentary an appetizing but unfulfilling tour of a chef who changed food history
Epic Japanese drama Drive My Car is the best cinematic ride of the year
Will Smith reminds us what movie stars are capable of in Venus and Serena Williams drama King Richard
Halle Berry and Netflix’s mixed martial arts drama Bruised pulls too many punches
Canada-Mexico drama Drunken Birds is one of the most beautiful films of the year
Jane Campion’s exquisite The Power of the Dog is searing, surprising and dastardly drama
Netflix’s Tick, Tick ... Boom! is a gift to Broadway obsessives, and Andrew Garfield fans
Disney’s latest Lin-Manuel Miranda partnership Encanto is more overwrought than enchanting
Someone call the Ghostbusters, because Jason Reitman’s awful sequel Afterlife is dead on arrival