- Military Wives
- Directed by Peter Cattaneo
- Written by Rosanne Flynn and Rachel Tunnard
- Starring Kristin Scott Thomas, Sharon Horgan and Jason Flemyng
- Classification PG; 112 minutes
There is a wide gulf between giving audiences what they want and what they need. The new film Military Wives opts for the former, so much so that screenwriters Rosanne Flynn and Rachel Tunnard must have started their script with the word “crowd-pleaser” and worked their way up from there, although not by much.
In this tale of strong, working-class Brits becoming stronger together, Military Wives aims for all the expected keep-calm-and-carry-on notes of the British cinematic genre I’m going to christen Can-Do Comedy. It’s the type of film that was birthed with 1997′s The Full Monty, which shares a director with Military Wives in Peter Cattaneo – as well as a flat, incurious sensibility that lacks any hint of complexity in the layers of its world or the inner lives of its characters.
Kristin Scott Thomas and Sharon Horgan, two performers who deserve far more than they’re afforded here, star as the opposite philosophical ends of a British military base. Both have husbands serving overseas in Afghanistan, both have some family issues they’re repressing and both have differing approaches as to how the corp’s lonely spouses should pass the time. I’ll leave it to you to guess who might be the prim and proper authoritarian, and who might be the raucous rogue. Just as I won’t ask you to venture into how the women’s group, which eventually settles on forming a choir, fare once they’re asked to perform in London.
There is so little surprise here, and so little effort into at least maintaining the façade of invention, that you might as just well sit down and write the narrative beats yourself. For Queen and country, then.
Military Wives is available digitally on-demand starting May 22
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