Skip to main content
The Globe and Mail
Support Quality Journalism
The Globe and Mail
First Access to Latest
Investment News
Collection of curated
e-books and guides
Inform your decisions via
Globe Investor Tools
Just$1.99
per week
for first 24 weeks
Enjoy unlimited digital access
Enjoy Unlimited Digital Access
Get full access to globeandmail.com
Just $1.99 per week for the first 24 weeks
Just $1.99 per week for the first 24 weeks
Start Today
var select={root:".js-sub-pencil",control:".js-sub-pencil-control",open:"o-sub-pencil--open",closed:"o-sub-pencil--closed"},dom={},allowExpand=!0;function pencilInit(o){var e=arguments.length>1&&void 0!==arguments[1]&&arguments[1];select.root=o,dom.root=document.querySelector(select.root),dom.root&&(dom.control=document.querySelector(select.control),dom.control.addEventListener("click",onToggleClicked),setPanelState(e),window.addEventListener("scroll",onWindowScroll),dom.root.removeAttribute("hidden"))}function isPanelOpen(){return dom.root.classList.contains(select.open)}function setPanelState(o){dom.root.classList[o?"add":"remove"](select.open),dom.root.classList[o?"remove":"add"](select.closed),dom.control.setAttribute("aria-expanded",o)}function onToggleClicked(){var l=!isPanelOpen();setPanelState(l)}function onWindowScroll(){window.requestAnimationFrame(function() {var l=isPanelOpen(),n=0===(document.body.scrollTop||document.documentElement.scrollTop);n||l||!allowExpand?n&&l&&(allowExpand=!0,setPanelState(!1)):(allowExpand=!1,setPanelState(!0))});}pencilInit(".js-sub-pencil",!1); // via darwin-bg var slideIndex = 0; carousel(); function carousel() { var i; var x = document.getElementsByClassName("subs_valueprop"); for (i = 0; i < x.length; i++) { x[i].style.display = "none"; } slideIndex++; if (slideIndex> x.length) { slideIndex = 1; } x[slideIndex - 1].style.display = "block"; setTimeout(carousel, 2500); }

Film Reviews

Register
AdChoices
Film Review

Review: Anna and the Apocalypse is the zombie splatter musical you never knew you needed

Brad Wheeler
For Subscribers

This article was published more than 1 year ago. Some information in it may no longer be current.

Comments
Open this photo in gallery

Ella Hunt, left, and Malcom Cumming star as Scottish high-schoolers in the movie Anna and the Apocalypse.

The Associated Press

Anna and the Apocalypse

Directed by John McPhail

Written by Alan McDonald, Ryan McHenry

Story continues below advertisement

Starring Ella Hunt, Malcolm Cumming and Christopher Leveaux

Classification: 14A/92 minutes

rating

3 out of 4 stars

School bells ring; are you listening? In the halls, brains are glistening. A ghastly sight, no one’s happy tonight – walking in a winter zombie land. Show tunes meet Shaun of the Dead in the delightfully gruesome Scottish horror-musical Anna and the Apocalypse.

Open this photo in gallery

Ben Wiggins stars in Anna and the Apocalypse.

Duncan McCallum/The Canadian Press

Ella Hunt is Anna, a melodious high-schooler in a Scottish hamlet beset by hoards of living dead. Her best friend is a likable dweeb whose romantic love for her is unrequited. She lives with her working-class father and, wait a minute, isn’t this a Molly Ringwald movie? Let’s call it Pretty in Red and enjoy a tuneful gore fest that involves a group of angst-ridden teenagers attempting to slash, bash and sing their way to freedom.

Not sure there’s a message to this film – other than high school being a living hell, and all will be fine if you can just make it out alive – but come for the bowling-alley bloodshed and stay for the song, dance and candy-cane carnage.

Anna and the Apocalypse opens Dec. 7

Report an error Editorial code of conduct
Due to technical reasons, we have temporarily removed commenting from our articles. We hope to have this fixed soon. Thank you for your patience. If you are looking to give feedback on our new site, please send it along to feedback@globeandmail.com. If you want to write a letter to the editor, please forward to letters@globeandmail.com.
Comments

Welcome to The Globe and Mail’s comment community. This is a space where subscribers can engage with each other and Globe staff. Non-subscribers can read and sort comments but will not be able to engage with them in any way. Click here to subscribe.

If you would like to write a letter to the editor, please forward it to letters@globeandmail.com. Readers can also interact with The Globe on Facebook and Twitter .

Subscribe to comment Why do I need to subscribe?

Welcome to The Globe and Mail’s comment community. This is a space where subscribers can engage with each other and Globe staff. Non-subscribers can read and sort comments but will not be able to engage with them in any way. Click here to subscribe.

If you would like to write a letter to the editor, please forward it to letters@globeandmail.com. Readers can also interact with The Globe on Facebook and Twitter .

I'm a print subscriber, link to my account Subscribe to comment Why do I need to subscribe?

Welcome to The Globe and Mail’s comment community. This is a space where subscribers can engage with each other and Globe staff.

We aim to create a safe and valuable space for discussion and debate. That means:

  • Treat others as you wish to be treated
  • Criticize ideas, not people
  • Stay on topic
  • Avoid the use of toxic and offensive language
  • Flag bad behaviour

Comments that violate our community guidelines will be removed.

Read our community guidelines here

Discussion loading ...

Read most recent letters to the editor.

To view this site properly, enable cookies in your browser. Read our privacy policy to learn more.
How to enable cookies