Skip to main content

Film Reviews The killer-alligator movie Crawl is exactly what you think it is, and blessedly so

Kaya Scodelario stars in Crawl.

Sergej Radović/Paramount Pictures.

  • Crawl
  • Directed by: Alexandre Aja
  • Written by: Michael Rasmussen and Shawn Rasmussen
  • Starring: Kaya Scodelario, Barry Pepper and a whole lotta gators
  • Classification: R; 87 minutes

rating

There has been a lot of crowing this summer movie season about the burdens of familiarity. Audiences are sick and tired of living in a world filled with nothing but Shafts, Godzillas, Dark Phoenixes and the many men and women in black. Do we not deserve something new? Do we not deserve ... killer alligators?

Granted, the killer-gator movie is not an original idea in the slightest. From 1980′s John Sayles-penned Alligator to the shockingly prolific Lake Placid franchise (does anyone besides David E. Kelly’s accountant know that there are six of these things?), there is a long cinematic tradition of pitting stupid humans against insatiable reptiles. Yet, the somewhat neglected genre hasn’t reached its potential until now, with Alexandre Aja’s Crawl.

Story continues below advertisement

Let’s be serious for a second, because Crawl certainly has no patience for such a thing. This movie is not “original” or even “good” in the traditional sense. But in a Hollywood ecosystem obsessed with brands and inoffensive genericism, there is something admirable and fresh about a movie that has nothing on its mind other than delivering 87 minutes worth of gory, gator-chomping thrills.

The plot is as ridiculously simple as it is simply ridiculous. In the midst of a Category 5 hurricane somewhere in Florida, competitive swimmer Haley (Kaya Scodelario) goes searching for her estranged father (Barry Pepper) at the old family home. Haley finds her dad injured in the crawl space basement, where the waters are quickly rising and a handful of gators have gathered to stalk their new prey. And ... that’s it. That’s the movie. Blessedly so.

The film is mostly a two-hander, with a good portion of the dialogue being shouts of either “Haley!” or “Dad!” or “Aghgghghgh!” The gators are rendered in CGI that’s half silly, half terrifying, and the film wisely doesn’t skimp on the violence. Flesh is torn off in crimson chunks, bones are snapped with glee and, in one delirious sequence, a gator gets shot dead thanks to one character sticking their arm straight inside its mouth and firing repeatedly.

Anti-abortion film Unplanned is a disgusting piece of propaganda that may endanger the health of women

Spider-Man: Far from Home is the third-best Spider-Man film you’ll see all year, probably

The circle of strife: Jon Favreau’s The Lion King is beautiful but soulless

The film is mostly a two-hander, focused on Scodelario's Haley and her father, played by Barry Pepper.

Photo Credit: Sergej Radović/Paramount Pictures.

Sometimes, stupid and simple works, especially if the filmmaker knows exactly what kind of game he’s playing. And Aja, the director responsible for 2010′s delightfully breezy Piranha 3D – among more polarizing horror touchstones such as High Tension – has the makings of a genre varsity athlete.

The French director has always been invested in getting his hands as dirty as possible, but with Crawl he seems to have sliced and diced his way into a cinematic sweet spot. As Haley and her father continually get themselves out of one dangerous situation only to fall into a more perilous one, Aja balances tension with self-awareness, mayhem with efficiency. Although a number of its sequences could be called inventive-esque – ah, the old trap-the-gator-in-the-shower trick, seen it a million times – Crawl is not exactly an inventive film. But it doesn’t have to be. It delivers on what it promises, and not many big-studio movies this year can claim the same.

And even if Aja messed up the action, which he doesn’t, or his cast mistook panic for annoyance, which they don’t, the whole thing would be worth it for the closing-credits song. I’ll say no more and let you chomp on it for yourself.

Crawl opened (wide and hungry) July 12.

Report an error Editorial code of conduct
Due to technical reasons, we have temporarily removed commenting from our articles. We hope to have this fixed soon. Thank you for your patience. If you are looking to give feedback on our new site, please send it along to feedback@globeandmail.com. If you want to write a letter to the editor, please forward to letters@globeandmail.com.

Welcome to The Globe and Mail’s comment community. This is a space where subscribers can engage with each other and Globe staff. Non-subscribers can read and sort comments but will not be able to engage with them in any way. Click here to subscribe.

If you would like to write a letter to the editor, please forward it to letters@globeandmail.com. Readers can also interact with The Globe on Facebook and Twitter .

Welcome to The Globe and Mail’s comment community. This is a space where subscribers can engage with each other and Globe staff. Non-subscribers can read and sort comments but will not be able to engage with them in any way. Click here to subscribe.

If you would like to write a letter to the editor, please forward it to letters@globeandmail.com. Readers can also interact with The Globe on Facebook and Twitter .

Welcome to The Globe and Mail’s comment community. This is a space where subscribers can engage with each other and Globe staff.

We aim to create a safe and valuable space for discussion and debate. That means:

  • Treat others as you wish to be treated
  • Criticize ideas, not people
  • Stay on topic
  • Avoid the use of toxic and offensive language
  • Flag bad behaviour

Comments that violate our community guidelines will be removed.

Read our community guidelines here

Discussion loading ...

Cannabis pro newsletter