Skip to main content

The Globe and Mail

Send in the clones: Five cinematic clones we love

They share an existential quandary, but not all clones are the same. Genetic replicas, in fact, have proven to be a rich metaphor in popular culture for more than half a century. They can be stand-ins for our fears of freedom being taken from us, a test case for the limits of science, or a comedic device. With the second season of Orphan Black premiering on Saturday, a look at the best clones in pop culture shows we'll keep going back to them again and again.

Everett Collection

Conformist clones

Invasion of the Body Snatchers (1956)

The vision of America in the Eisenhower years of good citizens marching together in lockstep makes this sci-fi classic from the mid-fifties, about aliens replacing individuals with exact duplicates, a rich allegory of comformity and the loss of individual autonomy.
Warner Bros. Pictures

Corporate clones

Blade Runner (1982)

Philip K. Dick’s novel Do Androids Dream of Electric Sheep? and Ridley Scott’s adaptation, Blade Runner, called them replicants, not clones. But not only is the movie still one of the best examples of sci-fi noir, the book and film ask what right to exist a person deserves when they’ve been made by a corporation.
Everett Collection

Feminist clones

The Stepford Wives (1975)

The feminist movement was well under way when this movie, based on the Ira Levin novel, arrived in theatres in 1975. Its depiction of the ideal wife – subservient to her husband, with little to no interests of her own other than shopping and keeping house – was a deft use of cloning to explore gender politics.

The Canadian Press

Comic clones

Multiplicity (1996)

Cloning is usually darkly philosophical when it comes up in pop culture, but Harold Ramis used it as the premise of this screwball comedy from 1996, the same year Dolly the cloned sheep was born. Michael Keaton stars as a man who makes several clones of himself to make life easier – one to take the kids to school, one to go to work, one to do household chores etc. Zany? Oh, you bet it was zany.

Clawed clones

Jurassic Park (1993)

What if we could clone dinosaurs? That is essentially the question asked by the Michael Crichton novel, published in 1990, and the Steven Spielberg adaptation, released in 1993. As with so many stories of this kind since Icarus, there’s a strong warning here of what happens when science flies too close to the sun (you get eaten by a T. Rex), but Spielberg avoided heavy moralizing in what became the highest-grossing film up to that time.

Story continues below advertisement

Report an error Licensing Options

The Globe invites you to share your views. Please stay on topic and be respectful to everyone. For more information on our commenting policies and how our community-based moderation works, please read our Community Guidelines and our Terms and Conditions.

We’ve made some technical updates to our commenting software. If you are experiencing any issues posting comments, simply log out and log back in.

Discussion loading… ✨