Skip to main content
The Globe and Mail
Support Quality Journalism
The Globe and Mail
First Access to Latest
Investment News
Collection of curated
e-books and guides
Inform your decisions via
Globe Investor Tools
Just$1.99
per week
for first 24 weeks

Enjoy unlimited digital access
Enjoy Unlimited Digital Access
Get full access to globeandmail.com
Just $1.99 per week for the first 24 weeks
Just $1.99 per week for the first 24 weeks
var select={root:".js-sub-pencil",control:".js-sub-pencil-control",open:"o-sub-pencil--open",closed:"o-sub-pencil--closed"},dom={},allowExpand=!0;function pencilInit(o){var e=arguments.length>1&&void 0!==arguments[1]&&arguments[1];select.root=o,dom.root=document.querySelector(select.root),dom.root&&(dom.control=document.querySelector(select.control),dom.control.addEventListener("click",onToggleClicked),setPanelState(e),window.addEventListener("scroll",onWindowScroll),dom.root.removeAttribute("hidden"))}function isPanelOpen(){return dom.root.classList.contains(select.open)}function setPanelState(o){dom.root.classList[o?"add":"remove"](select.open),dom.root.classList[o?"remove":"add"](select.closed),dom.control.setAttribute("aria-expanded",o)}function onToggleClicked(){var l=!isPanelOpen();setPanelState(l)}function onWindowScroll(){window.requestAnimationFrame(function() {var l=isPanelOpen(),n=0===(document.body.scrollTop||document.documentElement.scrollTop);n||l||!allowExpand?n&&l&&(allowExpand=!0,setPanelState(!1)):(allowExpand=!1,setPanelState(!0))});}pencilInit(".js-sub-pencil",!1); // via darwin-bg var slideIndex = 0; carousel(); function carousel() { var i; var x = document.getElementsByClassName("subs_valueprop"); for (i = 0; i < x.length; i++) { x[i].style.display = "none"; } slideIndex++; if (slideIndex> x.length) { slideIndex = 1; } x[slideIndex - 1].style.display = "block"; setTimeout(carousel, 2500); }

Nomadland (2020). Frances McDormand explores the vast landscape of the American West, in Chloé Zhao’s wise and intimate portrayal of life as a modern-day nomad.

Courtesy of TIFF

Chloe Zhao’s poetic drama Nomadland has been voted as the People’s Choice Award winner at the Toronto International Film Festival.

The recession-era road-trip drama, which stars Frances McDormand, tells the story of a lone woman travelling the American West in her van, as she faces the fallout from the economic crisis and the loss of her husband.

Nomadland is already a favourite with critics, and picked up the Golden Lion for best film at the Venice Film Festival earlier this month. But the TIFF People’s Choice prize, voted on by moviegoers, helps solidify its buzz ahead of awards season.

Story continues below advertisement

Several previous People’s Choice winners eventually took home the best-picture Oscar, including Green Book, 12 Years a Slave and The King’s Speech. Last year, Jojo Rabbit won the prize before picking up six Academy Awards nominations.

Nomadland will have a much longer road to an Oscar than usual. The 2021 awards ceremony has been pushed from next February into late April as the film industry grapples with the COVID-19 pandemic.

The film could prove as resilient as its main character, though, and TIFF co-head Cameron Bailey praised Zhao’s work for capturing “where America is and what it’s going through” at this point in history.

“It’s a part of the U.S. that we don’t see that often – people who are living without homes, travelling up and down the country, taking work where they can,” Bailey said.

“It somehow feels like it is a comment on who we are and where we are right now. …. But it doesn’t feel like it’s prescriptive. It’s just a great story, beautifully told with a great feel for character and landscape.”

The film blends a small number of familiar actors, including McDormand and David Strathairn, with a handful of non-professionals to deliver a sense of realism that blurs the lines between fictional narrative and documentary.

McDormand is already a darling of the TIFF festival crowd, having starred in the 2017 People’s Choice winner Three Billboards Outside Ebbing, Missouri, which won her a best actress Oscar.

Story continues below advertisement

The TIFF People’s Choice honour has usually carried a $15,000 prize, but there is no cash prize attached this year after its previous sponsor Grolsch decided not to participate in the festival.

Nomadland beat out Regina King’s directorial debut One Night in Miami, which reimagines a real-life 1964 meeting between Malcolm X, Muhammad Ali, Sam Cooke and Jim Brown. Her film was the first runner-up.

Canadian filmmaker Tracey Deer’s coming-of-age drama Beans, set around the Oka Crisis, was the second runner-up.

Female filmmakers were chosen for many of the festival’s other top prizes as well.

Michelle Latimer emerged a double winner for Inconvenient Indian, a poetic reflection on the colonization of Indigenous peoples in North America. The adaptation of Thomas King’s non-fiction book won the People’s Choice Documentary Award, as well as the Amplify Voices Award for best Canadian feature film.

Two other Amplify Voices awards, which recognize feature films by under-represented filmmakers, went to The Disciple, by Chaitanya Tamhane, and Night of the Kings by Philippe Lacote. Each of the Amplify Voices winners receives $10,000.

Story continues below advertisement

Shadow in the Cloud, an unhinged thriller directed by Roseanne Liang, picked up the People’s Choice Midnight Madness Award. The film centres on Chloe Grace Moretz as a Second World War pilot transporting a top-secret package while being haunted by a monstrous vision.

The 2020 Changemaker Award, which is given to a film that addresses issues of social change and carries a $10,000 prize, went to Black Bodies, a short film by Kelly Fyffe-Marshall.

Report an error
Due to technical reasons, we have temporarily removed commenting from our articles. We hope to have this fixed soon. Thank you for your patience. If you are looking to give feedback on our new site, please send it along to feedback@globeandmail.com. If you want to write a letter to the editor, please forward to letters@globeandmail.com.

Welcome to The Globe and Mail’s comment community. This is a space where subscribers can engage with each other and Globe staff. Non-subscribers can read and sort comments but will not be able to engage with them in any way. Click here to subscribe.

If you would like to write a letter to the editor, please forward it to letters@globeandmail.com. Readers can also interact with The Globe on Facebook and Twitter .

Welcome to The Globe and Mail’s comment community. This is a space where subscribers can engage with each other and Globe staff. Non-subscribers can read and sort comments but will not be able to engage with them in any way. Click here to subscribe.

If you would like to write a letter to the editor, please forward it to letters@globeandmail.com. Readers can also interact with The Globe on Facebook and Twitter .

Welcome to The Globe and Mail’s comment community. This is a space where subscribers can engage with each other and Globe staff.

We aim to create a safe and valuable space for discussion and debate. That means:

  • Treat others as you wish to be treated
  • Criticize ideas, not people
  • Stay on topic
  • Avoid the use of toxic and offensive language
  • Flag bad behaviour

Comments that violate our community guidelines will be removed.

Read our community guidelines here

Discussion loading ...

To view this site properly, enable cookies in your browser. Read our privacy policy to learn more.
How to enable cookies