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Music At the Grammys: An empowering feminist tone, hip hop makes history, and Drake tosses a stink bomb

Drake accepts the award for best rap song for 'God's Plan' at the 61st annual Grammy Awards, in Los Angeles, Calif., on Feb. 10, 2019.

The Canadian Press

Struggling to stay relevant and attempting to please everyone, the Grammys on Sunday rebounded from last year’s public relations debacle with a corrective, earnest and often awkward televised ceremony. Female artists dominated, hip hop made history, platitudes ruled and Drake surprised everyone – first by showing up in person to accept an award and then by tossing a stink bomb into the proceeding at Staples Center in Los Angeles. Throw in a pop-in from Michelle Obama, an array of outrageously emotive performances and a few notable no-shows, and viewers were left with one of music’s most unpredictable nights in memory.

The oddest moment surrounded the song This Is America, a politically themed song and accompanying provocative video from Childish Gambino (a.k.a. Donald Glover, the actor and musician). In protest against the Grammy’s poor track record with hip hop, Gambino, Drake and Kendrick Lamar all declined offers to perform on this year’s show. The Grammys, which have a history of compensating for award snubs, pivoted this year by voting This Is America the song of the year and record of the year, the first-ever wins for rap in those major categories.

But Gambino failed to show up, leaving a white, Swedish producer (Ludwig Goransson) to make an acceptance speech about a racially charged American anti-anthem. “It calls out injustice, celebrates life and reunites us all at the same time.” Goransson said. He went on to say that rapper 21 Savage “should be here right now.” The reference to the London-born, Atlanta-based rapper, who was up for a pair of awards but was recently arrested for overstaying a visa, was a rare edgy moment during a nearly four-hour broadcast that relentlessly flogged a power-of-music message.

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Lady Gaga, Jennifer Lopez, Alicia Keys, former first lady Michelle Obama and Jada Pinkett Smith at the Grammys.

MIKE BLAKE/Reuters

An empowering feminist tone was set early with the guest spot from the former first lady. She appeared with Jennifer Lopez, Lady Gaga, actress Jada Pinkett Smith and host Alicia Keys, the 15-time Grammy winner who praised the aforementioned “magnificent goddesses.”

The night’s controversial moment came when the world’s biggest recording artist, Drake, accepted the best rap song award for God’s Plan by throwing shade at the Recording Academy. In 2018, the Toronto-born superstar boycotted the Grammys. Extended an olive branch by the Academy this year, Drake took it with a clenched fist of grievance.

“This is a business where sometimes it’s up to a bunch of people that might not understand what a mixed-race kid from Canada has to say, or a fly Spanish girl from New York or anybody else or a brother from Houston, my brother [rapper Travis Scott],” Drake said in his acceptance speech, referring to a lack of diversity among Academy voters. “The point is, you’ve already won if you have people who are singing your songs word for word, if you’re a hero in your home town,” he continued, dismissing the importance of the Grammys. “If there’s people who have regular jobs who are coming out in the rain, in the snow, spending their hard-earned money to buy tickets to come to your shows, you don’t need this right here. I promise you. You’ve already won.”

The telecast then abruptly cut to a commercial.

This 61st Grammys were the last to be helmed by outgoing Academy president Neil Portnow. A year ago, he responded to the conspicuously female-light list of major Grammy winners by suggesting women needed to “step up” if they wished to be recognized at the ceremony. After his remarks prompted a furious backlash, Portnow announced he would step down.

This year, he awkwardly thanked the evening’s performers, including “some of most thrilling new and legendary female voices of our times.” One of the former, British pop star Dua Lipa, used her acceptance speech for best new artist to discreetly slam Portnow. “I just wanted to say how honoured I am to be nominated alongside so many incredible female artists this year,” said Lipa, whose sensual performance with singer-guitarist St. Vincent was one of the night’s highlights. "Because I guess this year we really stepped up.”

They absolutely did.

The night’s biggest winner was Kacey Musgraves, whose album Golden Hour earned her four golden gramophones for album of the year, best country album, top country solo performance and best country song. (Gambino was also a four-time winner.)

Kacey Musgraves accepts the award for album of the year for 'Golden Hour' onstage during the Grammys.

ROBYN BECK/AFP/Getty Images

Musgraves, along with Brandi Carlile, represents a changing of the Nashville guard, with music that is defiant and socially conscious. Carlile won half of her surprising six nominations and further established herself with a dramatic performance of The Joke, an anthem for the marginalized.

Equally inspiring was Cardi B, who became the first woman to win in the best rap album category for her LP Invasion of Privacy. In her acceptance speech, the Bronx-raised dynamo mentioned the rush to finish the record. Pregnant at the time, she needed to shoot the videos before she was showing. What could better demonstrate the uniquely female experience in the music business?

Cardi B’s vamping, peacocking live performance of her hit song Money was a showstopper that balanced out a night damaged by an overwrought Lady Gaga, a seemingly distressed Katy Perry and a Motown tribute inexplicably handled by Jennifer Lopez.

Cardi B performs onstage at the Grammys.

Emma McIntyre/Getty Images

Better was the celebration of Dolly Parton, featuring the country legend herself.

Host Keys was capable, although occasionally unsure when she was on camera and prone to gushing banality. “Are we having the best night ever?” she asked at one point. For female artists, the answer was affirmative. ​

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Other Canadian winners:

James Ehnes, best classical instrumental solo, for Kernis: Violin Concerto.

Greg Wells, best compilation soundtrack for visual media, for his work on The Greatest Showman.

Daniel Caesar, best R&B performance, shared with H.E.R., for their song Best Part.

Willo Perron, best recording package, for his work on the St. Vincent album Masseduction.

Lili Haydn, best new age album, as part of Opium Moon, for the quartet’s self-titled album.

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List of top winners:

Album of the year: Golden Hour by Kacey Musgraves

Record of the year: This Is America by Childish Gambino

Song of the year: This Is America by Childish Gambino and Ludwig Goransson

Best rap/sung performance: This Is America by Childish Gambino

Best music video: This Is America by Childish Gambino

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Best rap album: Invasion of Privacy by Cardi B

Best rap song: God’s Plan by Drake

Best new artist: Dua Lipa

Best country album: Golden Hour by Kacey Musgraves

Best pop duo/group performance: Shallow by Lady Gaga and Bradley Cooper

Best pop vocal album: Sweetener by Ariana Grande

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Best pop solo performance: Lady Gaga’s Joanne (Where Do You Think You’re Goin’?)

Best R&B album: H.E.R. by H.E.R.

Best R&B song: Boo’d Up by Ella Mai, DJ Mustard, Larrance Dopson and Joelle James

Best R&B performance: Best Part by H.E.R. featuring Daniel Caesar

Producer of the year, non-classical: Pharrell Williams

Best rap performance: (tie) King’s Dead by Kendrick Lamar, Jay Rock, Future and James Blake, and Bubblin by Anderson.Paak

Best urban contemporary album: Everything Is Love by the Carters

Best traditional pop vocal album: Willie Nelson’s My Way

Best rock song: Masseduction by St. Vincent

Best rock album: From the Fires by Greta Van Fleet

Best rock performance: When Bad Does Good by Chris Cornell

Best dance recording: Electricity by Silk City and Dua Lipa featuring Diplo and Mark Ronson

Best country song: Space Cowboy, Kacey Musgraves (Luke Laird, Shane McAnally and Kacey Musgraves)

Best reggae album: 44/876 by Sting & Shaggy

Best country solo performance: Kacey Musgraves’s Butterflies

Best duo/group country performance: Dan + Shay’s Tequila

Best jazz vocal album: The Window by Cecile McLorin Salvant

Best alternative music album: Colours, Beck

Best comedy album: Equanimity & the Bird Revelation, Dave Chappelle

Best Latin pop album: Claudia Brant’s Sincera

Best spoken word album: Jimmy Carter’s Faith — A Journey for All

Best folk album: Punch Brothers’ All Ashore

Best contemporary Christian music album: Lauren Daigle’s Look Up Child

Best musical theatre album: The Band’s Visit

Best American roots song: Brandi Carlile’s The Joke

Best American roots performance: Brandi Carlile’s The Joke

Best Americana album: Brandi Carlile’s By the Way, I Forgive You

Best gospel album: Tori Kelly’s Hiding Place

Best contemporary Christian music performance/song: Lauren Daigle’s You Say

Best world music album: Soweto Gospel Choir’s Freedom

Best compilation soundtrack for visual media: The Greatest Showman

Best score soundtrack for visual media: Black Panther

Best song written for visual media: Shallow from A Star Is Born

Best traditional blues album: Buddy Guy’s The Blues Is Alive and Well

Best music film: Quincy Jones’s Quincy

Best boxed or special limited edition package: Squeeze Box: The Complete Works of ‘Weird Al’ Yankovic

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