Skip to main content

Billie Eilish, left, and Finneas O'Connell pose in the press room with the awards for best album, best engineered album and best pop vocal album for "We All Fall Asleep, Where Do We Go?," best song and record for "Bad Guy," best new artist and best producer, non-classical at the 62nd annual Grammy Awards at the Staples Center on Sunday, Jan. 26, 2020, in Los Angeles. (AP Photo/Chris Pizzello)

Chris Pizzello/The Associated Press

The edgy, avant-pop album that siblings Billie Eilish and Finneas created in a small bedroom made a big splash at the 2020 Grammy Awards, winning 11 honours for the musical family.

“When We All Fall Asleep, Where Do We Go?” — created in the musicians’ Los Angeles home — helped Eilish win the top four honours, including album, song and record of the year, along with best new artist. The 18-year-old is the youngest artist to achieve the feat and the first to do so since Christopher Cross did in 1981.

Finneas — who co-wrote, produced and engineered the album, walked away as Sunday’s top winner with six. Eilish won five honours.

Story continues below advertisement

“We didn’t write a speech for this because we didn’t make this album to win a Grammy. We didn’t think it would win anything ever. We wrote an album about depression and suicidal thoughts and climate change and being the bad guy — whatever that means — and we stand up here confused and grateful,” Finneas said onstage.

Together, they also won best pop vocal album, while Finneas’ individual honours included producer of the year (non-classical) and best engineered album (non-classical).

“This is my first Grammys. I never thought this would happen in my whole life,” Eilish said. “I genuinely want to say I am so grateful and I only want to say that I am so grateful.”

“This is to all the kids who are making music in the bedroom today — you’re going to get one of these,” Finneas added.

The bedroom where they created magic was brought to life when they hit the stage and performed “When the Party’s Over,” which featured Finneas on keys and Eilish singing in a soft, pitch perfect tone.

Los Angeles, where the show was held, had a central theme at the show Sunday: hometown heroes Nipsey Hussle and Kobe Bryant, a global icon, were honoured and celebrated at the show.

The Grammys kicked off with a performance in honour of Bryant, who died hours before the awards along with his daughter and seven others. And later in the show Hussle’s collaborators and friends, including DJ Khaled, John Legend, Meek Mill, Kirk Franklin, Roddy Ricch and YG, gave an all-star tribute to the man who died last year.

Story continues below advertisement

Hussle also posthumously won his first pair of Grammys on Sunday.

Filmmaker Ava DuVernay introduced the performance, which featured band players, background dancers and Legend wearing traditional Ethiopian and Eritrean clothing in honour of Hussle’s African roots. Mill performed a new song called “Letter to Nipsey” while others joined together for “Higher,” which won best rap/sung performance.

“This is for Nipsey Hussle. This is for hip-hop,” said DJ Khaled, who collaborated on the song with Legend and Hussle, whose family stood onstage.

“We all love him. We all miss him. It’s terrible that we had to lose him so early,” Legend said. “We’ve seen some tragedy today and last year ... let’s hold each other tight.”

The show — which took place at the Staples Center, Bryant’s old stomping ground — began with a touching, emotional and a cappella performance of “It’s So Hard to Say Goodbye to Yesterday” by host Alicia Keys and Boyz II Men.

“Los Angeles, America and the world-wide world lost a hero,” Keys said, adding that the audience was “heartbroken in the house that Kobe Bryant built.”

Story continues below advertisement

“Right now Kobe and his daughter Gianna ... are in our spirits, they’re in our hearts, they’re in prayers, they’re in this building,” she said. “Take a moment and hold them inside of you and share our strength and our support with their families.”

Before the show officially honoured Bryant, Lizzo performed the songs “Truth Hurts” and “Cuz I Love You,” saying at the top of the show: “Tonight is for Kobe.”

Lizzo won three honours, including best pop solo performance for “Truth Hurts” and two R & B awards.

“Hold on one second,” she said, catching her breathe. “Thank you to the academy. This is really (expletive) sick.”

Lizzo was among the mix of newcomers and well-known acts who reached their goals of winning their first-ever Grammy Awards on Sunday, which also included Tanya Tucker, J. Cole, DJ Khaled, Eilish, Lil Nas X, Billy Ray Cyrus, Michelle Obama, Sara Bareilles, Rosalia, 21 Savage and Tyler, the Creator.

“To my mother, you did a great job raising this guy,” Tyler, who won best rap album, said to his mom, who was onstage and crying by side.

Story continues below advertisement

More crying took place Sunday.

Demi Lovato, who has mostly taken a break from the public since focusing on her recovery after reportedly overdosing in July 2018, gave a stirring, vocally top-notch performance that earned her a standing ovation. She was so emotional that she had to restart the song as a teardrop ran down her cheek.

Camila Cabello’s performance of “First Man” — a song dedicated to her father — also induced tears. Cabello walked off the stage to her dad’s seat to finish singing the song in front of him, while he teared up. Audience members were emotional, too, including Gwen Stefani.

Ariana Grande had a lengthy performance — probably to make up for the drama that surrounded her axed performance last year. Run DMC joined forces with Aerosmith to rock the Grammys stage, while Usher, Sheila E. and FKA twigs paid tribute to Prince.

Lil Nas X brought the story of “Old Town Road” to life by performing alongside the artists who helped the song stay at No. 1 for 19 weeks through various remixes, including BTS, Mason Ramsey, Diplo and the track’s main co-star, Billy Ray Cyrus.

Veteran rapper Nas then joined Lil Nas X for a new song, shouting out Bryant at the end: “Kobe, we love you.”

Story continues below advertisement

A dark cloud loomed over ceremony since the Recording Academy announced it had put its recently hired CEO, Deborah Dugan, on administrative leave for misconduct. Dugan and her lawyers fired back at the academy, claiming that the awards show is rigged.

But no mention of Dugan was directly made during the three-plus-hour show.

Complete list of Grammy Award winners

  • Record of the year: “Bad Guy,” Billie Eilish
  • Album of the year: “When We All Fall Asleep, Where Do We Go?” Billie Eilish
  • Best new artist: Billie Eilish
  • Best rap/sung performance: “Higher,” DJ Khaled featuring Nipsey Hussle and John Legend
  • Best rap album: “Igor,” Tyler, The Creator
  • Best comedy album: “Sticks & Stones,” Dave Chappelle
  • Best country duo/group performance: “Speechless,” Dan + Shay
  • Best pop solo performance: “Truth Hurts,” Lizzo
  • Best pop vocal album: “When We All Fall Asleep, Where Do We Go?” Billie Eilish
  • Best pop duo/group performance: “Old Town Road,” Lil Nas X featuring Billy Ray Cyrus
  • Best traditional pop vocal album: “Look Now,” Elvis Costello & The Imposters
  • Best R & B album: “Ventura,” Anderson .Paak
  • Best urban contemporary album: “Cuz I Love You,” Lizzo
  • Best R & B song: “Say So,” PJ Morton featuring JoJo
  • Best traditional R & B performance: “Jerome,” Lizzo
  • Best R & B performance: “Come Home,” Anderson .Paak featuring Andre 3000
  • Best rock song: “This Land,” Gary Clark, Jr.
  • Best rock performance: “This Land,” Gary Clark, Jr.
  • Best contemporary blues album: “This Land,” Gary Clark, Jr.
  • Best rock album: “Social Cues,” Cage the Elephant
  • Best spoken word album: “Becoming,” Michelle Obama
  • Best American roots performance: “Saint Honesty,” Sara Bareilles
  • Best alternative music album: “Father of the Bride,” Vampire Weekend
  • Producer of the year, non-classical: Finneas
  • Best music film: “Homecoming,” Beyoncé
  • Best country album: “While I’m Livin’,” Tanya Tucker
  • Best country song: “Bring My Flowers Now,” Tanya Tucker
  • Best country solo performance: “Ride Me Back Home,” Willie Nelson
  • Best rap song: “A Lot,” 21 Savage featuring J. Cole
  • Best rap performance: “Racks in the Middle,” Nipsey Hussle, featuring Roddy Ricch & Hit-Boy
  • Best musical theatre album: “Hadestown”
  • Best metal performance: “7empest,” Tool
  • Best world music album: “Celia,” Angelique Kidjo
  • Best roots gospel album: “Testimony,” Gloria Gaynor
  • Best music video: “Old Town Road (Official Movie),” Lil Nas X featuring Billy Ray Cyrus
  • Best dance/electronic album: “No Geography,” Chemical Brothers
  • Best dance recording: “Got to Keep On,” Chemical Brothers
  • Best score soundtrack for visual media: Hildur Gunadottir, “Chornobyl”
  • Best contemporary instrumental album: “Mettavolution,” Rodrigo y Gabriela
  • Best reggae album: “Rapture,” Koffee
  • Best folk album: “Patty Griffin,” Patty Griffin
  • Best recording package: “Chris Cornell,” Chris Cornell
  • Best compilation soundtrack for visual media: “A Star Is Born”
  • Best song written for visual media: “I’ll Never Love Again,” Lady Gaga and Bradley Cooper
  • Best jazz vocal album: “12 Little Spells,” Esperanza Spalding
  • Best engineered album, non-classical: “When We All Fall Asleep, Where Do We Go?” Billie Eilish
  • Best gospel performance/song: “Love Theory,” Kirk Franklin
  • Best gospel album: “Long Live Love,” Kirk Franklin
  • Best Latin pop album: “#Eldisco,” Alejandro Sanz
  • Best opera recording: “Picker: Fantastic Mr. Fox”

Follow related topics

This content appears as provided to The Globe by the originating wire service. It has not been edited by Globe staff.

Report an error
Due to technical reasons, we have temporarily removed commenting from our articles. We hope to have this fixed soon. Thank you for your patience. If you are looking to give feedback on our new site, please send it along to feedback@globeandmail.com. If you want to write a letter to the editor, please forward to letters@globeandmail.com.

Welcome to The Globe and Mail’s comment community. This is a space where subscribers can engage with each other and Globe staff. Non-subscribers can read and sort comments but will not be able to engage with them in any way. Click here to subscribe.

If you would like to write a letter to the editor, please forward it to letters@globeandmail.com. Readers can also interact with The Globe on Facebook and Twitter .

Welcome to The Globe and Mail’s comment community. This is a space where subscribers can engage with each other and Globe staff. Non-subscribers can read and sort comments but will not be able to engage with them in any way. Click here to subscribe.

If you would like to write a letter to the editor, please forward it to letters@globeandmail.com. Readers can also interact with The Globe on Facebook and Twitter .

Welcome to The Globe and Mail’s comment community. This is a space where subscribers can engage with each other and Globe staff.

We aim to create a safe and valuable space for discussion and debate. That means:

  • Treat others as you wish to be treated
  • Criticize ideas, not people
  • Stay on topic
  • Avoid the use of toxic and offensive language
  • Flag bad behaviour

Comments that violate our community guidelines will be removed.

Read our community guidelines here

Discussion loading ...

To view this site properly, enable cookies in your browser. Read our privacy policy to learn more.
How to enable cookies