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Since he was a child Roman Lapshin has been haunted by a secret his late grandfather revealed to him when he was only 12 years old. Vladimir Dvorkin was a prolific artist who painted thousands of beautiful portraits during his lifetime. But nobody’s heard of him. His grandson discovered he was a “ghost painter” for the renowned Israeli artist Oz Almog, who simply re-sold the work as his own. The story is shared in the documentary Portrayal.Courtesy of CBC

The most compelling drama airing or streaming this weekend is a true story that starts in Toronto and then continues in Israel and Vienna. It’s about family secrets, family tensions and discovering the past as though it were a new world. It’s also about art, ego and manipulation.

Portrayal (Sunday, CBC, 8 p.m., streams on CBC Gem) opens with several intriguing vignettes. They feature Oz Almog, an Israeli artist of some fame. He’s a charismatic, vaguely menacing figure as he boasts about his work, sitting in his studio in Vienna, and swears a lot. As the story unfolds, we come to understand why this man seems hostile and rude.

After those vignettes, we get the backstory. The drama really begins back in Toronto where Roman Lapshin is obsessing about his grandfather, Vladimir Dvorkin, a prolific artist. Lapshin has figured out why his grandfather’s work, obviously of high quality, was never known outside the family. The man had, for many years, painted constantly and sold the work to Almog, who either resold or exhibited the works as his own. Dvorkin was a “ghost” painter employed, more or less, by Almog.

Catch up on the best streaming TV of 2021 with our holiday guide

Lapshin sees this discovery as an outrage, and we understand why – we see an exhibition of Almog’s work, a big social occasion, and we hear Shimon Peres, the late president of Israel, praising Almog as a great painter. The exhibition is filled with work painted by Lapshin’s grandfather. The core of the documentary, directed by Billie Mintz, is a journey with two destinations. First, Lapshin goes to Israel to talk to his family there about his grandfather’s work. His relatives argue fiercely against him telling the story at all. They don’t want the truth to come out. It will upset people. It might make Almog very angry. An uncle says there’s no scandal, because the grandfather was compensated for his work. Lapshin is indignant, saying, “It’s not like he was laying bricks for the man.” This argument neatly captures many of the issues involved.

As Lapshin finds out more about his grandfather’s life and discovers footage of the man displaying his striking portraits and acknowledging that they become someone else’s property, he simmers with rage. He wants to confront Almog. This begins what is a chase and a game of deception, because Lapshin remains unsure how, exactly, he should challenge Almog and expose him. Then Almog declares he might burn his paintings, in a kind of provocative joke.

How the two meet, and Almog discovers the person he’s really dealing with, is a scene worth waiting for. And it is followed by a disconcerting climax in March of 2020, as Lapshin and his girlfriend Erin realize that the coronavirus has begun spreading in Canada and they might have to return home before their full task is complete. What happens in Portrayal is, on the one hand, a tale of catching a thief. On the other hand, it raises questions about whether there was theft at all. It’s a fabulous story about coming to terms with what our forefathers did and why they did it.

Also airing/streaming this weekend

Canadian Jewish TV (Saturday, OMNI, 10 p.m.) is brought to your attention because Valerie Pringle makes a rare TV appearance. The former CBC and CTV host talks to the show’s host, Ieden Wall, about mental-health issues. Mainly, Pringle – as cool and articulate as ever – describes the struggles her daughter Catherine faced and how, as a parent, she at first felt helpless. The conversation deals specifically with the issues facing teenagers today, the array of fears and anxieties that arise in a world saturated with social media. The phrase, “narcissistic generation of smartphone addicts” is used and Pringle talks about her own methods for overcoming depression and anxiety.

Masterpiece Classic: All Creatures Great and Small has returned to PBS for a second season.Courtesy of PBS Masterpiece

Masterpiece Classic: All Creatures Great and Small (Sunday, PBS, 8 p.m.) returns. James (Nicholas Ralph) returns from Glasgow. He was offered a job there and must decide between staying or returning to his new life in Yorkshire. As if. There is, in Yorkshire, the incredible allure of one Helen Alderson (Rachel Shenton, who is wonderful in the series) and it’s springtime.

Maggie Q, Ginnifer Goodwin and Eliza Coupe, star in Pivoting, a single-camera comedy set in Long Island, NY, that follows three women – and close-knit childhood friends – as they cope with the death of the fourth member of their group.Courtesy of CTV

Finally, take note of Pivoting (Sunday, Fox, 8:30 p.m.) is one of the more promising new mid-season comedies. Three women re-evaluate their lives after the death of their best friend. Amy (Eliza Coupe) wants to be a more caring mother. Sarah (Maggie Q) gets a new job bagging groceries, and tries to upgrade her razzle-dazzle. Jodie (Ginnifer Goodwin) takes up fitness and thinks about escaping her marriage. Not wildly funny yet, but definitely wacky.

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