Skip to main content

Sean Ling performs as part of a trio in stone leaf shell skin.

Makoto Hirata

Title
he:she
Genre
Dance
Company
Peggy Baker Dance Projects
Venue
Betty Oliphant Theatre
City
Toronto
Runs Until
Sunday, April 06, 2014

Choreography by Peggy Baker and Paul-André Fortier

Dance for revered choreographer Peggy Baker means beautiful bodies moving beautifully through space.

As a result, there are certain elements one expects in a Peggy Baker show. Wall-to-wall movement executed by top-of-the-line dancers. Music of substance. Dance pieces whose themes run deep. The overall productions buffed to a high gloss. In other words, Baker is a class act.

Story continues below advertisement

In her program notes for her latest show he:she, Baker describes the evening as an exploration of dualities – yang/yin, youth/age, acoustic/electronic, light/dark, and so on. She is also on record as stating that she will never have a dance performed to taped music, if the music was meant to be performed live. Thus, the program features live music for three out of the four pieces.

The show contains two premieres that are very different.

The male trio stone leaf shell skin, inspired by the erotically charged black-and-white images of legendary American photographer Edward Weston (1886-1958), is a winner. The commissioned score by Heather Schmidt, performed live by celebrated cellist Shauna Rolston, is a cunning mix of attractive modernist melodies set over a track of electronic drones.

In the piece, Sean Ling, Ric Brown and Mateo Galindo Torres pass through many stages, from the obvious testosterone ragings, to the more surprising languid sensuality. They engage in follow the leader, one-upmanship, fun-loving athleticism, group hugs, and, more importantly, vulnerability. It is almost as if Rolston, the lone woman on stage, is driving the trio to become more interior and reflective as the piece goes on.

Aleatoric Duet No. 2 is part of an ongoing Baker exploration. Aleatoric means "by chance," and as Ling and Andrea Nann perform their attractive duet, musician John Kameel Farah, surrounded by his samplers and mixers, improvises the music. The material in the dance is culled from Baker's choreography that Ling and Nann have performed on previous occasions.

The rich program also includes the exquisite Sylvan Quartet (1998), set to angst-filled music by Cha Ka Nin, performed by dancer Sahara Morimoto, cellist Rolston, pianist Farah and clarinettist Max Christie. Baker also takes to the stage in Paul-André Fortier's enigmatic solo, Box, la femme au carton. (2011).

Report an error Editorial code of conduct
Comments

Welcome to The Globe and Mail’s comment community. This is a space where subscribers can engage with each other and Globe staff. Non-subscribers can read and sort comments but will not be able to engage with them in any way. Click here to subscribe.

If you would like to write a letter to the editor, please forward it to letters@globeandmail.com. Readers can also interact with The Globe on Facebook and Twitter .

Welcome to The Globe and Mail’s comment community. This is a space where subscribers can engage with each other and Globe staff. Non-subscribers can read and sort comments but will not be able to engage with them in any way. Click here to subscribe.

If you would like to write a letter to the editor, please forward it to letters@globeandmail.com. Readers can also interact with The Globe on Facebook and Twitter .

Welcome to The Globe and Mail’s comment community. This is a space where subscribers can engage with each other and Globe staff.

We aim to create a safe and valuable space for discussion and debate. That means:

  • All comments will be reviewed by one or more moderators before being posted to the site. This should only take a few moments.
  • Treat others as you wish to be treated
  • Criticize ideas, not people
  • Stay on topic
  • Avoid the use of toxic and offensive language
  • Flag bad behaviour

Comments that violate our community guidelines will be removed. Commenters who repeatedly violate community guidelines may be suspended, causing them to temporarily lose their ability to engage with comments.

Read our community guidelines here

Discussion loading ...

Due to technical reasons, we have temporarily removed commenting from our articles. We hope to have this fixed soon. Thank you for your patience. If you are looking to give feedback on our new site, please send it along to feedback@globeandmail.com. If you want to write a letter to the editor, please forward to letters@globeandmail.com.
Cannabis pro newsletter