58 PHOTOGRAPHS IN COLLECTION (WITH UNALTERED, HISTORICAL NOTES)
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TORONTO GLOBE AND MAIL - HISTORICAL - PRODUCTION [The Globe and Mail - History - Production -- William H. Wright Building - Composing Room?. Credit: The Globe and Mail. Historical note: Production process: Makeup men place the galleys of type into page forms. When zinc cuts from the engraving room have been added, the forms are locked and sent to the stereotyping department where paperboard mats or impressions of the pages are made in a machine that operates at a pressure of 15,000 pounds a square-inch. Molten lead is poured over the paperboard mats and in 15 seconds lead plates are ready to be trimmed and dispatched to the presses. Taken from Dec. 14, 1957 edition.]
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TORONTO GLOBE AND MAIL HISTORICAL EMPLOYEES Loaded down with typewriters, cameras and travel bags, a segment of The Globe and Mails Royal Tour staff boards one of the planes which will follow the Queen and Prince Philip across Canada, keeping this newspaper's readers up to date on all aspects of visit. In front, from left: Betty Lee, John Boyd, Maggie Grant, Harold Robinson and Olive Dickason. on gangplank. from door down and left to right: Ralph Hyman, Scott Young, Arthur Brydon, Al Warson, Colin McCullough, James Senter, Jean Stenton, Jack Dobson, Joan Hollobon, Kay Rex, Robert Turnbull, Eldon Stone house, Dave Spurgeon, Erik Schack, Kay Kritzzwiser and Stanley Westall.
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CANADIAN PLAYERS Rehearsing before tour of Canada
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DEMONSTRATIONS THE DEFIANT FEMINISTS AT QUEEN'S PARK Patricia Burry 24 (middle), stood militantly with her placard. Around her were another 300 feminists - and at least one man - demonstrating in support of an Ontario Human Rights Code that would eliminate discrimination on the basis of sex. The rally was sponsored by the Women's Committee, Local 222, United Auto Workers.
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TORONTO metro Police Dept Police College, North York - girls sit at back
These photographs and captions are unaltered documents. In some cases, they contain outdated language that may be offensive. In order to preserve their historical authenticity, they have not been edited.
ABOUT THE ARCHIVE
The images in this living archive were scanned from prints and negatives used in The Globe and Mail newsroom from the late 19th century until the transition to digital in the 1990s. With the Archive of Modern Conflict, more than 100,000 prints from The Globe and Mail newsroom have been digitized. New photographs, and their hand-transcribed notes, are added to the feature each week.