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Alderlea, an 1865 Italianate mansion in Brampton, Ontario currently under restoration. North elevation facing Gage Park.Dave LeBlanc/The Globe and Mail

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A view of the belvedere. ‘I never get bored of this building,’ says heritage restoration expert Alan Stacey. ‘Generally the Italianate isn’t my favourite style - I’m probably a little bit reserved being English - but this building is something.’Dave LeBlanc/The Globe and Mail

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East elevation showing new addition.Dave LeBlanc/The Globe and Mail

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Alan Stacey in the 1879 addition.Dave LeBlanc/The Globe and Mail

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Recreated plaster ornaments.Dave LeBlanc/The Globe and Mail

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One of the fireplaces.Dave LeBlanc/The Globe and Mail

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Inside the belvedere. Mr. Stacey says that his first look inside the room convinced him of the importance of the restoration job. ‘I borrowed a stepladder off somebody, hoisted myself up to the roof rafters, and got up to the belvedere.’ There, despite ‘treading on an inch of pigeon poo,’ the beautiful view of Gage Park spread out below was no match to the ‘virgin room’ – complete with ‘original graffiti’ by children who grew up in the home – that caused his heart to beat faster.Dave LeBlanc/The Globe and Mail

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Drawings inside the belvedere. Because of the harsher wind and weather, the belvedere’s sills on west side ‘looked like driftwood’ until they were restored, says Mr. Stacey.Dave LeBlanc/The Globe and Mail

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Sample of the original wallpaper in the foyer that will be reproduced.Dave LeBlanc/The Globe and Mail

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Reproduction front door hardware.Dave LeBlanc/The Globe and Mail

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The hands and knees work. ‘We probably have, conservatively, about 110 to 120 carving chisels, a lot of them bought secondhand in England, some bought new when I needed a particular shape,’ says Mr. Stacey.Dave LeBlanc/The Globe and Mail

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