While vivid imagery has always been NG's stock in trade, it's tended to present anything not consonant with mainstream America as something exotic, or Other -- when it bothered to acknowledge it at all.
Please enable JavaScript to view this content. Open this photo in gallery: Billowing smoke from burning Kuwaiti oilfields in 1991 provide a dramatic background for more traditional Geographic subject matter – proof of the magazine’s gradual shift towards photojournalistic shots and tough topics. Steve McCurry
1 of 6
Open this photo in gallery: There’s always room in National Geographic for exotic animals and tribal people in skimpy traditional costume. This 1970 image of Brazilian tribesmen carrying a python seems to imply that both are forms of “wildlife.” W. Jesco Von Puttkamer
2 of 6
Open this photo in gallery: National Geographic’s hunger for dramatic animal imagery made it a fan of fast lenses and cameras made for specialized situations. An underwater camera’s glimpse down the maw of a seal achieves an almost unreal degree of clarity. Paul Nicklen
3 of 6
Open this photo in gallery: The earliest photos made for National Geographic included static, posed shots of masterly explorers, like these climbers surveying the view from a Swiss summit in 1910. Slow shutter speeds made action photos impossible. S. G. Wehrli
4 of 6
Open this photo in gallery: National Geographic’s long love-affair with colour-rich Kodachrome is on vivid display in this shot of U.S. airmen watching a turbaned Moroccan snake charmer in 1954. The photo also typifies the way the magazine encouraged readers to think about West and East. Franc and Jean Shor
5 of 6
Open this photo in gallery: Geographic pioneered the use of colour photography in magazines, using hand-tinting to dramatize this 1912 shot from Hong Kong. Flashes of eye-catching red became part of the magazine’s photographic style. S. R. Vinton / PDIL Hasselblad
6 of 6