Skip to main content
NewslettersWatchlist

Latest

review
COC’s Cunning Little Vixen asks its audience see the beauty of the forest over the trees
Jane Archibald as the Vixen and Carolyn Sproule as the Dog (behind) in the Canadian Opera Company’s production of The Cunning Little Vixen, 2024, photo: Michael Cooper
review
La Bohème offers reminder of opera’s deep connection with messy, real human life
Catherine Kustanczy
review
Love, justice and freedom resonate through Canadian Opera Company’s Fidelio
1330 – Clay Hilley as Florestan and Miina-Liisa Värelä as Leonore in the Canadian Opera Company’s production of Fidelio. Conductor Johannes Debus, director Matthew Ozawa, set and projections designer Alexandra Nichols, costume designer Jessica Jahn, lighting designer Yuki Nakase Link, and fight and intimacy director Siobhan Richardson. Photo: Michael Cooper
leadership lab
Workplace mental health programs have no finish line, but can more than pay for themselves
Bill Howatt and Michael Cooper
leadership lab
To positively affect mental health, employers must track and measure progress
Bill Howatt and Michael Cooper
leadership lab
Workplace mental health programs are no longer a nice-to-have
Bill Howatt and Michael Cooper
opinion
Canadian Opera Company spring season opener Macbeth leans hard into darkness and discomfort
Jenna Simeonov
newsletter
Nestruck on Theatre: Easing yourself back to live theatre? You might need A Tonic for Desperate Times
Kelly Nestruck
Kelly Nestruck
report on business
Dream Office REIT betting on Toronto with biggest development proposal since COVID-19 pandemic began
canada
Conservatives accuse government of reckless rush to ease access to assisted dying
report on business
Dream Unlimited to launch private equity arm to invest in commercial property
report on business
Commercial property landlords push back against rent relief requests from big firms